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  • Juliette-Andréa Elie
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Valérie Henry

vh@valeriehenry.com

Juliette-Andréa Elie

JULIETTE-ANDRÉA ELIE, «I set my traps in the middle of dreams», 77 x 57 cm, pigmented print on vegetable paper, mirror paper and drypoint relief
JULIETTE-ANDRÉA ELIE, “Demain c’est peut-être”, superposition of prints on translucent and mat paper. Drypoint relief. The wild geese of Quebec cross paths with the houses of Icelandic fishermen… like memories of travels that blend in the memory. The lines in relief evoke auguries: in antiquity, a space was marked out in the sky where the flight of birds could be observed in order to predict the future… (The title comes from Henri Murger’s “Scènes de la vie de Bohême”, “Demain c’est peut-être un tremblement de terre”)
JULIETTE-ANDRÉA ELIE, “Là où buissonnent les ombres”, 60 x 40cm, pigmented print and drypoint relief. Here Juliette-Andréa Elie creates a forest in relief from the paper. A hedge of beech trees, lost in the Scottish countryside… In the middle of nowhere, it seemed that a magical passageway was opening up, the branches coming together to create a timeless vegetal tunnel.
JULIETTE-ANDRÉA ELIE, “To See No Light, and See”, 100 x 70 cm, Pigmented print on translucent paper and drypoint relief. Photography and sculpture on tracing paper.
JULIETTE-ANDRÉA ELIE, “As breath into the wind”, 60 x 40 cm, Superposition of pigmented prints on translucent and mat paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “To beguile the time, look like the time”, 63 x 45 cm, Embossed drawing and photograph printed on Pergamano paper.
JULIETTE-ANDRÉA ELIE, “Au jardin de présence”, 65 x 40 cm, pigmented print on tracing paper and drypoint relief.
JULIETTE-ANDRÉA ELIE, “Par delà les lointains bleus”, 60 x 40 cm, Superposition of a pigmented print on translucent paper and a pigmented print on mat paper.
JULIETTE-ANDRÉA ELIE, “Manana no ha Ilegado (Tomorrow still hesitates)”, Superposition of pigmented prints on tracing paper and matt, embossing.
JULIETTE-ANDRÉA ELIE, “Du ciel et du souffle”, 42 x 30 cm, photographic print on translucent paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “Nocturne”, 90 x 60 cm, Superposition of a pigmented print on translucent and mat paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “The high see shadow”, 70 x 100 cm, Superposition of pigmented prints on translucent and mat paper, drypoint relief. The dots in relief carved into the paper correspond to the constellation in 2050 visible from the Vatnajökull glacier in Iceland. The ice is expected to be considerably reduced by then. The artist discreetly makes a fish tail appear in the sky of the landscape and questions us…
JULIETTE-ANDRÉA ELIE, “Oublie moi dans la mer”, 70 x 100 cm, pigmented print on translucent paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “Le paradoxe de l’archifossile”, 60 x 40 cm, pigmented print on translucent paper, folding. The folded triangle evokes the primary form of ice crystals. With this gesture, Juliette-Andréa Elie gives perspective to the landscape from the infinitely small to the infinitely big.
JULIETTE-ANDRÉA ELIE, “Réparer l’espace”, 50 x 50 cm, Superposition of pigmented prints on translucent and mat paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “A l’abri du vent”, 30 x 40 cm, pigmented print on translucent paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “Those are pearls that were his eyes”, 100 x 100 cm, photographic print on translucent paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “La perle percée”, 30 x 40 cm, Superimposition of pigmented prints on wood, translucent paper, drypoint relief. Or how to try to give substance to the sublime of a storm by the sea in Corsica.
JULIETTE-ANDRÉA ELIE, ” Etait-ce ça la vie ?”, 100 x 70 cm, Superposition of pigmented print, yellow translucent paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “Si ce monde est vide “, 30 x 40 cm, Rain drops from Rio de Janeiro, superimposed pigmented print on translucent paper and mirror.
JULIETTE-ANDRÉA ELIE, “S.O.S (Sou O Silencio)”, 50 x 50 cm, Superimposition of a pigmented print on translucent paper with a mirror and mulberry papers, drypoint relief. Here Juliette-Andréa Elie imagines a silent call in the middle of the sea, embossing in the print the walrus characters that mean: SOS.
JULIETTE-ANDRÉA ELIE, “De l’apparition de plusieurs soleils”, 140 x 100 cm, Superposition of pigmented prints on translucent paper with two circular mirrors. Deeply influenced by 19th century research into meteors, which was part poetry and part science, Juliette-André Elie pays tribute to the phenomenon of a double sun. By sliding two circular mirrors behind the paper, a strange light blurs the landscape…
JULIETTE-ANDRÉA ELIE, “Annonciation”, 30 x 40 cm, pigmented print on translucent paper, drypoint relief.
JULIETTE-ANDRÉA ELIE, “Et aux yeux des poissons, les larmes perlent”, 20 x 30 cm, Series of 5 images. Superimposed pigmented print, yellow translucent paper, drypoint relief. Photographic haikus or animist dreams, Juliette-André Elie lets her imagination tattoo here the luminous body of a Koi carp with a map of Amazonian rivers…
JULIETTE-ANDRÉA ELIE, “Et aux yeux des poissons, les larmes perlent”, 20 x 30 cm, Series of 5 images. Superimposed pigmented print, yellow translucent paper, drypoint relief.
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