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Valérie Henry

vh@valeriehenry.com

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Mathilde Jonquière, mosaic artist, work in progress
Mathilde Jonquière, mosaic artist, work in progress
Mathilde Jonquière, mosaic artist, work in progress
Mathilde Jonquière, mosaic artist, work in progess
Mathilde Jonquière, mosaic artist, work in progess
Mathilde Jonquière, mosaic artist, work in progess
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah. For the renovation of the Cartier AL Khayyat store in Jeddah, the Maison Cartier and the Moinard Bétaille agency asked Mathilde Jonquière to create a 14m2 fresco.
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah. Each element of this fresco, the sand, the red sea, the sky, the skyline, the water jet of King Fahd and the vegetation are meticulously designed and magnified by the yellow and white gold tesserae materials inspired by Cartier jewellery.
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah. This fresco, composed mainly of gold tesserae for the palm tree and vegetation and ochre and brown porcelain stoneware tesserae for the sand, is harmonised in warm tones reminding the light of the desert.
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah © photo Pierre-Olivier Deschamps
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah © photo Pierre-Olivier Deschamps
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah. The water set in blue between the sand and the sky is created in the manner of a 1910 Cartier brooch in the shape of a calisson.
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah © photo Pierre-Olivier Deschamps
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah.
Mathilde Jonquière, mosaic artist, June 2022, 14m2 fresco for the Cartier store in Jeddah.
Mathilde Jonquière, mosaic artist, January 2022, 9m2 Bridal fresco for Cartier store in New-York. For the reopening of one of the most emblematic Cartier store in the world, Mathilde Jonquière created a mosaic fresco dedicated to the bridal space in the famous mansion at 653 Fifth Avenue in New-York, in collaboration with Laura Gonzales.
Mathilde Jonquière, mosaic artist, January 2022, 9m2 Bridal fresco for Cartier store in New-York. For the reopening of one of the most emblematic Cartier store in the world, Mathilde Jonquière created a mosaic fresco dedicated to the bridal space in the famous mansion at 653 Fifth Avenue in New-York, in collaboration with Laura Gonzales.
Mathilde Jonquière, mosaic artist, January 2022, 9m2 Bridal fresco for Cartier store in New-York. Mathilde Jonquière highlights the teeming nature of Central Park and symbolically inspired by love through the representation of the flora and fauna of Cartier jewelry.
Mathilde Jonquière, mosaic artist, January 2022, 9m2 Bridal fresco for Cartier store in New-York. Mathilde Jonquière highlights the teeming nature of Central Park and symbolically inspired by love through the representation of the flora and fauna of Cartier jewelry.
Mathilde Jonquière, mosaic artist, January 2022, 9m2 Bridal fresco for Cartier store in New-York. Each insect is cut into large gold tesserae, the only touch of color in the artwork symbolizing emerald, ruby, sapphire or topaz, a true ode to spring and the Cartier spirit.
Mathilde Jonquière, mosaic artist, January 2022, 9m2 Bridal fresco for Cartier store in New-York.
Mathilde Jonquière, mosaic artist, October 2021, fresco Empreintes 18m2 for Maison Saint-Charles, Vinci Immobilier, Paris. Unique because of its history and its strategic location in the heart of Paris, the Maison Saint-Charles has been home for more than 150 years to the Congregation of the Dominican Sisters of Charity who commit their lives to the service of the most fragile. The Sisters wished to reinvent this place by building, on the existing site, an intergenerational house of solidarity. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, October 2021, fresco Empreintes 18m2 for Maison Saint-Charles, Vinci Immobilier, Paris. The renovation project of the Maison Saint-Charles is carried out by VINCI Immobilier, which entrusted Mathilde Jonquière with the creation of a monumental mosaic fresco accompanied by Tristan Auer.
Mathilde Jonquière, mosaic artist, October 2021, fresco Empreintes 18m2 for Maison Saint-Charles, Vinci Immobilier, Paris. The mark is composed of dermatoglyphs symbolizing the human trace of the Dominican Sisters dedicated by their congregation to the work and the macroscopic structure of the trees composed of the annual rings and the heart symbolizing the trees that constitute this place. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, October 2021, fresco Empreintes 18m2 for Maison Saint-Charles, Vinci Immobilier, Paris. Mathilde Jonquière evokes through this creation the evolution of time, past, future and infinite linked to the strata drawn by the trees and fingerprints on the walls always in movement because they evolve at different scales.© photo Olivier Saillant
Mathilde Jonquière, mosaic artist, July 2021, work in progress , Vinci Immobilier Résidence, Maison Saint Charles
Mathilde Jonquière, mosaic artist, July 2021, work in progress , Vinci Immobilier Résidence, Maison Saint Charles
Mathilde Jonquière, mosaic artist, June 2020, work in progress. Vinci Immobilier Résidence asked Mathilde Jonquière to create original works of art to enhance the common areas in the entrance hall of the Maison Saint Charles, a transgenerational social house in the 15th arrondissement of Paris.
Mathilde Jonquière, mosaic artist, June 2020, work in progress, Vinci Immobilier Résidence, Maison Saint Charles. In this singular work, Mathilde Jonquière is inspired by and pays tribute to the human traces of the Dominican Sisters dedicated by their congregation to the work as well as to the heritage trees composing the garden.
Mathilde Jonquière, mosaic artist, June 2020, work in progress, Vinci Immobilier Résidence, Maison Saint Charles. Evolution of time, past, future and infinity related to the drawn layers of trees and fingerprints on the ever moving walls.
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps fresco, 20m2 for Vinci Immobilier, Paris XV. Within the charter of “Un immeuble, une oeuvre”, Vinci Immobilier asked the mosaic artist Mathilde Jonquière to create a link between Hors du Temps residency and Maison Saint-Charles, both located in the heart of Paris, with a preserved landscaped island. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps fresco, 20m2 for Vinci Immobilier, Paris XV. For this purpose, Mathilde Jonquière works in the gallery that allows access to the garden of the Hors du Temps residency from rue de Vaugirard and in the entrance hall of Maison St Charles. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps passageway, 40m length for Vinci Immobilier, Paris XV. At the entrance of the Hors du temps residency, the artist proposes the creation of a monumental mosaic fresco, punctuated in the passageway by a sequence of mosaic totems between wooden panels © photo Cyrille Lallement
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps passageway, 40m length for Vinci Immobilier, Paris XV. The Hors du Temps fresco is composed of annual rings and the heart symbolizing the trees that constitute this place. photo © Cyrille Lallement
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps passageway, 40m length for Vinci Immobilier, Paris XV. The Hors du Temps fresco is composed of annual rings and the heart symbolizing the trees that constitute this place. photo © Cyrille Lallement
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps fresco, 20m2 for Vinci Immobilier, Paris XV. From the entrance of Hors du Temps residency, the artist offers the creation of a monumental mosaic fresco, punctuated in the gallery by a sequence of mosaic totems between wooden panels.
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps passageway, work in progress.
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps passageway, work in progress.
Mathilde Jonquière, mosaic artist, October 2021, Hors du temps passageway, work in progress.
Mathilde Jonquière, mosaic artist, October 2021, mosaic fresco 16m2, Cartier boutique, Geneva.
Mathilde Jonquière, mosaic artist, October 2021, mosaic fresco 16m2, Cartier boutique, Geneva.
Mathilde Jonquière, mosaic artist, October 2021, mosaic fresco 16m2, Cartier boutique, Geneva.
Mathilde Jonquière, mosaic artist, October 2021, fresco 16m2 and design of the mosaic floor, Cartier boutique, Geneva.
Mathilde Jonquière, mosaic artist, October 2021, fresco 16m2 and design of the mosaic floor, Cartier boutique, Geneva.
Mathilde Jonquière, mosaic artist, October 2021, fresco 16m2 and design of the mosaic floor, Cartier boutique, Geneva.
Mathilde Jonquière, mosaic artist, October 2021, fresco 16m2 and design of the mosaic floor, Cartier boutique, Geneva. For this new project, Mathilde Jonquière created a mosaic fresco and designed the marble floor with the agency Moinard & Bétaille for the Cartier boutique in Geneva. At the entrance of the boutique, a mosaic fresco composed of six panels set in brass welcomes the client like a panorama of the Geneva landscape.
Mathilde Jonquière, mosaic artist, October 2021, fresco 16m2 and mosaic floor design, Cartier boutique, Geneva. There, the design celebrates the landscape where each element, emblem of the city, is represented in a refined and magnified way: Lake Geneva shimmering in ovals of handmade glass enamel, bucolic grasses and Edelweiss inspired by Cartier jewelry.
Mathilde Jonquière, mosaic artist, October 2021, fresco and mosaic floor design, Cartier boutique, Geneva. The drawing spreads out, radiates like a sunrise magnifying the fresco, a real jewel case.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva. Mathilde Jonquière has chosen the jellyfish to cover the floor of a villa in Switzerland. Mathilde Jonquière elaborates and weaves more and more in her work the animal motive to insufflate in her aesthetic research the energy of the living and its movement.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva. Mathilde Jonquière has chosen the jellyfish to cover the floor of a villa in Switzerland. Mathilde Jonquière elaborates and weaves more and more in her work the animal motive to insufflate in her aesthetic research the energy of the living and its movement.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva. The jellyfish with its nebulous filamentary structure, almost cosmic, has imposed in this exceptional place moored to the lake, between sky and water. The choice of marble to represent this fluidity is part of Mathilde Jonquière’s project, of her research to transcend the material, to turn it upside down.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva. Between dynamism and surrender, between curves, lines and fluidity, between empty and full, the tentacles of the jellyfish gracefully spread out in the space of the villa’s entrance and evoke harmony and serenity for the reception of this exceptional setting imagined by the decorator Nathalie Sommer.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva. The still marble, rigid and hard as stone, suddenly comes alive in this drawing, is adorned with light, starts to undulate and declines the different colors of the rising sun.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva. Between dynamism and surrender, between curves, lines and fluidity, between empty and full, the tentacles of the jellyfish gracefully spread out in the space of the villa’s entrance and evoke harmony and serenity for the reception of this exceptional setting imagined by the decorator Nathalie Sommer.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva.
Mathilde Jonquière, mosaic artist, September 2021, mosaic floor 30m2, private residence, Geneva.
Mathilde Jonquière, mosaic artist, March 2021, mosaic fresco, 6m x 1,60m, Méduses & Oiseaux, Paris, work in progress.
Mathilde Jonquière, mosaic artist, March 2021, mosaic fresco, 6m x 1,60m, Méduses & Oiseaux, Paris, work in progress.
Mathilde Jonquière, mosaic artist, March 2021, mosaic fresco, 6m x 1,60m, Méduses & Oiseaux, Paris, work in progress.
Mathilde Jonquière, mosaic artist, March 2021, mosaic fresco, 6m x 1,60m, Méduses & Oiseaux, Paris. Mathilde Jonquière creates a mosaic fresco of 6 meters high and 1.60 meters wide for a private residence in Paris near the jardin du Luxembourg. In this unique place, the idea of an ascending drawing, in movement stretching towards the sky, towards the infinite without limit, is an evidence for Mathilde Jonquière. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, March 2021, mosaic fresco, 6m x 1,60m, Méduses & Oiseaux, Paris. Mindful of the marine world and of Jean Lurçat’s tapestries, the client submitted the idea of jellyfish and Mathilde Jonquière of birds flying out of their garden. A fluidity arises from these two unlikely worlds, the parasols of the jellyfish in pearly tesserae inflate and deflate transparent and light. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, March 2021, mosaic fresco, 6m x 1,60m, Méduses & Oiseaux, Paris. Tentacles and plumage mix, intertwine and wave under the sea or fly in the air. A real poetic journey between sky and sea. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris. Preliminary drawing.
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris.
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris.
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris.
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris. For the renovation of the mythical Cartier store in the rue du Faubourg Saint-Honoré in Paris the architect Bruno Moinard, 4BI&Associés asked Mathilde Jonquière to create the marble mosaic floor. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris. From the entrance of the store the customer is attracted by the first galactic disc radiating in different shades of marble, fragments of stones cut in a square shape in a monochrome of golden yellow from Italy, nude from Portugal and touches of sugar white from Greece. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris. This marble floor is drawn as a large canvas of urban sky, micro or macro element of the Milky Way composed of marble stardust that gravitate around these two circles creating an energy like the Galaxie ring. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris. This first crystallized circle composed of strata gently takes the customer to the second galaxy and the staircase leading to the second floor where appears at their junction a new sprawling grid of opalescent white marble all in motion. This second circle at the back of the boutique is set with a carpet creating a more intimate space from which gravitate, once again, thousands of marble tesserae like precious stones in the same golden yellow gradation. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, December 2020, Mosaic floor 77m2, Cartier store, rue du Faubourg Saint-Honoré, Paris. From the entrance of the store the customer is attracted by the first galactic disc radiating in different shades of marble, fragments of stones cut in a square shape in a monochrome of golden yellow from Italy, nude from Portugal and touches of sugar white from Greece. © photo Olivier Saillant
Mathilde Jonquière, mosaic artist, June 2019, Triptyque Céleste. For this new project, Mathilde Jonquière creates a mosaic triptych surrounded by a shadow gap frame which drawing is inspired from starry engravings and old maps of constellations, creating a lively and poetic movement.
Mathilde Jonquière, mosaic artist, June 2019, Triptyque Céleste. The mosaic is composed of tesserae sparkling from radiant and deep golden brass colors to more neutral tones (linen, sand and umber) symbolizing the background canvas of the tapestry ready to be embroidered.
Mathilde Jonquière, mosaic artist, June 2019, Triptyque Céleste. The mosaic is composed of tesserae sparkling from radiant and deep golden brass colors to more neutral tones (linen, sand and umber) symbolizing the background canvas of the tapestry ready to be embroidered.
Mathilde Jonquière, mosaic artist, June 2019, Triptyque Céleste. This triptych was imagined to adorn the center of the home, close to the hearth of the fireplace, spot of light. Placed on the wall of a space between the private sphere and the welcome space, it illustrates the idea of gravitation, of center, trajectories and gathering. Dimensions of each panel : 2 m. x 1 m.
Mathilde Jonquière, mosaic artist, June 2019, Triptyque Céleste. This mosaic with its tight and slender style, between muted and bright colors, captures a family energy and thrills with its contrasts.
Mathilde Jonquière, mosaic artist, June 2019, Triptyque Céleste. Both celestial and telluric, this work of art is intertwined with flashes of light.
Mathilde Jonquière, mosaic artist, September 2019, La Petite Grande Épicerie de Paris, Saint-Lazare railway station. La Grande Épicerie de Paris, part of Le Bon Marché, opens a new Petite Grande Épicerie in the heart of de Saint-Lazare railway station, in the 8th arrondissement of Paris.
Mathilde Jonquière, mosaic artist, September 2019, La Petite Grande Épicerie de Paris, Saint-Lazare railway station. La Grande Épicerie de Paris, part of Le Bon Marché, opens a new Petite Grande Épicerie in the heart of de Saint-Lazare railway station, in the 8th arrondissement of Paris.
Mathilde Jonquière, mosaic artist, September 2019, La Petite Grande Épicerie de Paris, Saint-Lazare railway station. On this occasion, the architects ask Mathilde Jonquière to create a mosaic fresco for the counter of this small 25 m2 area, designed with the idea of keeping an harmony with the two others 3 400m2’s Bon Marché Rive Gauche store and the 2800m2’s Rive Droite store in Passy street.
Mathilde Jonquière, mosaic artist, September 2019, La Petite Grande Épicerie de Paris, Saint-Lazare railway station. On this occasion, the architects ask Mathilde Jonquière to create a mosaic fresco for the counter of this small 25 m2 area, designed with the idea of keeping an harmony with the two others 3 400m2’s Bon Marché Rive Gauche store and the 2800m2’s Rive Droite store in Passy street.
Mathilde Jonquière, mosaic artist, September 2019, La Petite Grande Épicerie de Paris, Saint-Lazare railway station. The “Ronds” pattern studded with azure blue colored splinters echoes to the Grande Epicerie Rive Gauche’s bakery display and to the ceramics of the store. In this frame where the Grande Epicerie’s mythic selection of salty and sweety gems is presented, the mosaic counter stands as a central element gathering all these products.
Mathilde Jonquière, mosaic artist, September 2019, La Petite Grande Épicerie de Paris, Saint-Lazare railway station. The “Ronds” pattern studded with azure blue colored splinters echoes to the Grande Epicerie Rive Gauche’s bakery display and to the ceramics of the store. In this frame where the Grande Epicerie’s mythic selection of salty and sweety gems is presented, the mosaic counter stands as a central element gathering all these products.
Mathilde Jonquière, mosaic artist, July 2019. Board for Effloraison fresco for Jacques Semer store, Paris
Mathilde Jonquière, mosaic artist, july 2019, Effloraison fresco, Jacques Semer store, Paris. This new mosaic takes birth in the floral landskape sharing by Jacques Semer and Mathilde Jonquière that chooses the essence of the buttercup for its delicacy, elegance and its shades of soft pink.
Mathilde Jonquière, mosaic artist, july 2019, Effloraison fresco, Jacques Semer store, Paris. The mosaic is carefully composed line by line by 24-carat threads like an embroidery, a topstitching effect symbolizing the different layers of the flower effloraison.
Mathilde Jonquière, mosaic artist, july 2019, Effloraison fresco, Jacques Semer store, Paris. This fresco, created like a Japanese woodblock landscape by the subtle overlay of scales, suggests a moving deep nature, revealing the floral world of Jacques Semer.
Mathilde Jonquière, mosaic artist, july 2019, Effloraison fresco, Jacques Semer store, Paris. This fresco, created like a Japanese woodblock landscape by the subtle overlay of scales, suggests a moving deep nature, revealing the floral world of Jacques Semer.
Mathilde Jonquière, mosaic artist, july 2019, Effloraison fresco, Jacques Semer store, Paris.
Click here to watch the movie : <a href="https://www.valeriehenry.com/book/dl/MATHILDE-JONQUIERE-FRESCO-CARTIER-MADRID-ENGL.mp4" rel="noopener" target="_blank">Mathilde Jonquière, Cartier store project, Madrid</a>
Mathilde Jonquière, mosaic artist, May 2019, fresco. Work in progress, Cartier-Serrano store in Madrid
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. This mosaic is mainly composed of glass paste, hand-crafted glass enamels and tessera in 24-carat antique gold.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. The golden dressed panther, totemic attribute of Jeanne Toussaint, is a part of the pictorial history of the House. Sovereign, the panther stares directly at the majestic peacock eyes.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. The peacock, living in Campo del Moro Royal Garden, reminds of the timeless figure of a woman confident in her nobility, the royal city and gardens, and Cartier’s jewellery collections.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. The peacock, living in Campo del Moro Royal Garden, reminds of the timeless figure of a woman confident in her nobility, the royal city and gardens, and Cartier’s jewellery collections.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. The golden shape of the Crystal Palace, one of the famous architectural work in Madrid, designs a setting with raining mounting chains and highlights the outline of the El Retiro Park pruned cypresses, on which the spectacular animals are perched.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. The marble paving at the entrance of the store becomes the threshold between the reality and the magic. From the entrance, the eyes get into beautiful organic shades of two marble pieces in pink, beige and cream white colors, then meet the fresco and its tale, as a true call for dreaming.
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. Marble floor set up
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. Samples of marble for the construction of the floor
Mathilde Jonquière, mosaic artist, may 2019, Cartier Serrano store, Madrid. The marble paving at the entrance of the store becomes the threshold between the reality and the magic. From the entrance, the eyes get into beautiful organic shades of two marble pieces in pink, beige and cream white colors.
May 2019. Initiated by Ateliers d’Art de France since 2013, Révélations is the international fine craft and creation appointment not to be missed. For its 4th edition, Révélations, takes place at the Grand Palais in Paris from 23rd to 26th May 2019. On Saturday 25th May, the Auction House Drouot Estimations, Côme Remy, 20th Century arts & crafts expert, and Charlotte du Vivier-Lebrun, consultant for contemporary ceramic, will present the “Material & Manner” auction, dedicated to contemporary decorative arts.
May 2019. Auction Sale “Material & Manner” in Drouot Estimations Paris. On this occasion, Mathilde Jonquière presents the artworks “Météorites, Constellation 1 & 2”, fibre concrete, glass paste inlay, porcelain stoneware, glazed stoneware, gemstone, 24-carat gold tesserae, diameter 100 cm x 5 mm thick.
May 2019. Auction Sale “Material & Manner” in Drouot Estimations Paris. On this occasion, Mathilde Jonquière presents the artwork “Plume” mosaic of artisanal glass enamels, porcelain stoneware, gold tesserae.
FULIGULE Work in Progress, April 2019. For this new project, Mathilde Jonquière got her inspiration from the living world and realized a wall mosaic design on the Fuligule duck. This drawing represents the maternal wings of the Fuligule female duck, suggesting the idea of a cocoon, of a fluffy caress and at least, of the children beeing garded in a safe space.
FULIGULE Work in Progress, April 2019. Every tessel is like an idea, a thought that is arising, first disorderly, and then organizing themselves following the drawing, between light and shadow.
Mathilde Jonquière, mosaic artist, April 2019, FULIGULE project. Here, the pattern of the wing appears in flows and interlaces. The material, the colour and the cinetic disposition draw a strong vitality in the shading. The movements of the wings remind of the child creativity and of its intellectual abilities emerging.
Clic here to see : <a href="https://www.valeriehenry.com/book/dl/Timelapse-court-hennessy.mp4" rel="noopener" target="_blank"> THE HENNESSY TIMELAPSE </a>
Mathilde Jonquière, mosaic artist, 2018, Hennessy, winter garden. Hennesy asks Mathilde Jonquière for a mosaïc floor creation of green marble for the Winter Garden of the Castle of Bagnolet in Cognac. © Gabriel de la Chapelle
For this project, Mathilde Jonquière designed a floor made of marble mosaic. The wave pattern shows various greens, trigerring a dialog with the surrounding nature and the river running nearby.
New project 2018 – Work in progress – Creation of a floor made of marble mosaics… to be continued !
New project 2018 – Work in progress – Creation of a floor made of marble mosaics… to be continued !
This chromatic polyphony of aquatic and mineral tones (Antigua, Cipollino, Laguna and Ming) inspired Mathilde Jonquière a mosaic suffused with fluctuations, ideal for displaying shadings expressing sheer fluidity.
The piece echoes with the modulations and convolutions of the mosaic, and includes the tiny structure of the tessera, revealing in all its details the emotions of a 1000 color-pattern.
Mathilde Jonqui§re’s atelier – work in progress.
New project 2018 – Work in progress – Creation of a floor made of marble mosaics… to be continued !
New project 2018 – Work in progress – Creation of a floor made of marble mosaics… to be continued !
New project 2018 – Work in progress – Creation of a floor made of marble mosaics… to be continued !
La Grande Epicerie de Paris is now rue de Passy on the Rive droite. On this occasion, Le Bon Marché entrusted Mathilde Jonquière with the creation of four 20m2 figurative mosaics that bring out the elegance of the products and the savoir-faire. The Chocolaterie : stoneware ; enamalled stoneware ; enamelled metallic glass paste.
The Chocolaterie – a thin copper trim sets the chocolate tablette, revealing by its shimmering the multiple facets reflecting the light of this “Tablettothèque”.
La Tablettothèque.
La Tablettothèque.
La Tablettothèque.
La Tablettothèque.
The Bakery – the color of the glass enamels composing the lemon tart tend towards a neon yellow coming out of the dark background made of mat black stoneware for a clean and modern contrast.
The Bakery.
The Bakery – the Saint Honoré and the Religieuse.
The Bakery.
The Bakery.
The Bakery.
The Boulangerie.
The Boulangerie.
The Boulangerie.
The Fish Market – the Sea Breams’ tails come out electric blue thanks to the shimmering of the gold tessera, the radiance triggering a sense of movement and depth to the school of fish swimming through the space. Stoneware ; enamelled stoneware ; glass paste ; gold, blue and copper tessera ; silver tessera.
The Fish Market.
The Fish Market.
The Fish Market.
The Fish Market.
The Fish Market.

 

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