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Angèle Guerre - artist
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Valérie Henry

vh@valeriehenry.com

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Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. © photos Alex Jonas
Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris. The skins can be seen “above and below”, or in Chinese: “Shang Xia”. © photos Alex Jonas
Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. © photos Alex Jonas
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. details © Jacques Philippot
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The skins can be seen “above and below”, or in Chinese: “Shang Xia”. details © Jacques Philippot
Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris, details.
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. details © Jacques Philippot
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The skins can be seen “above and below”, or in Chinese: “Shang Xia”. details © Jacques Philippot
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. details © Jacques Philippot
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, July 2019, “Souples, un souffle”, dimensions 5m x 3m. Installation of metal, leather and incised paper. Sculpture created in situ for the exhibition ” Y Croître ” at the CACLB, Centre d’Art Contemporain du Luxembourg belge, Mautauban, Belgium. © photo J-P. Ruelle
Angèle Guerre, artist, July 2019, “Souples, un souffle”, dimensions 5m x 3m. Installation of metal, leather and incised paper. Sculpture created in situ for the exhibition ” Y Croître ” at the CACLB, Centre d’Art Contemporain du Luxembourg belge, Mautauban, Belgium. © photo J-P. Ruelle
Angèle Guerre, artist, July 2019, “Souples, un souffle”, dimensions 5m x 3m. Installation of metal, leather and incised paper. Sculpture created in situ for the exhibition ” Y Croître ” at the CACLB, Centre d’Art Contemporain du Luxembourg belge, Mautauban, Belgium. © photo J-P. Ruelle
Angèle Guerre, visual artist, 2019, ” Grandes Mues “, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, “Grandes Mues” details, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, “Grandes Mues” details, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, ” Grandes Mues “, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, ” Grandes Mues “, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, “Grandes Mues” details, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. “These forms of incised leather and paper suggest the ambiguity of the softness and hardness of the material” Pauline Lisowski. © photo J. Philippot
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. “These forms of incised leather and paper suggest the ambiguity of the softness and hardness of the material” Pauline Lisowski. © photo J. Philippot
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. “These forms of incised leather and paper suggest the ambiguity of the softness and hardness of the material” Pauline Lisowski. © photo J. Philippot
Angèle Guerre, artist, 2019, “Par ailleurs”. Prints on Plexiglas, mirror varnish, adhesive. Works created as part of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Par ailleurs”. Prints on Plexiglas, mirror varnish, adhesive. Works created as part of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Par ailleurs”. Prints on Plexiglas, mirror varnish, adhesive. Works created as part of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. Installation realized within the context of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. Installation realized within the context of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. Installation realized within the context of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. View of the exhibition “Quand soudain”, Graphem Gallery. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. View of the exhibition “Quand soudain”, Graphem Gallery. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2015 to 2016, “Miroir, Etain”, dimensions 91,5cm x 125 cm. Pewter mirror, paper and Chinese ink. Starting from antique mirrors with oxidized tint, the game consists in interpenetrating a real reflection and a graphic fiction. In this work, it is a question of really going to the other side of the mirror, digging the hole and remaking the world.
Angèle Guerre, artist, 2015 to 2016, “Miroir, Etain”, dimensions 91,5cm x 125 cm. Pewter mirror, paper and Chinese ink. Starting from antique mirrors with oxidized tint, the game consists in interpenetrating a real reflection and a graphic fiction. In this work, it is a question of really going to the other side of the mirror, digging the hole and remaking the world.
Angèle Guerre, artist, 2015 to 2016, “Miroir, Etain”, dimensions 91,5cm x 125 cm. Pewter mirror, paper and Chinese ink. By removing the material, the artist makes layers of landscape appear. His work is a form of archaeology. She digs into the material to reveal different strata of a purely mineral and vegetal world.
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