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Angèle Guerre - artist
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Valérie Henry

vh@valeriehenry.com

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Angèle Guerre, visual artist, June 2022, “Sous les ravages”, incised paper and pastels, size 120cm x 80cm and 80cm x 65cm, Galerie Jamault, Paris
Angèle Guerre, visual artist, June 2022, “Sous les ravages”, incised paper and pastels, size 120cm x 80cm and 80cm x 65cm, Galerie Jamault, Paris
Angèle Guerre, visual artist, June 2022, “Sous les ravages”, incised paper and pastels, size 120cm x 80cm and 80cm x 65cm, Galerie Jamault, Paris
Angèle Guerre, visual artist, November 2021, “Les corps sauvages”, leather, paper and metal, dimensions variable.
Angèle Guerre, visual artist, November 2021, “Les corps sauvages”, leather, paper and metal, dimensions variable.
Angèle Guerre, visual artist, November 2021, “Les corps sauvages”, leather, paper and metal, dimensions variable.
Angèle Guerre, visual artist, November 2021, “Les corps sauvages”, leather, paper and metal, dimensions variable.
Angèle Guerre, visual artist, November 2021, “Les terres troubles”, paper incised with scalpel and pastel, dimensions 107 x 150cm.
Angèle Guerre, visual artist, November 2021, “Les terres troubles”, paper incised with scalpel and pastel, dimensions 107 x 150cm.
Angèle Guerre, visual artist, November 2021, “Les terres troubles”, paper incised with scalpel and pastel, dimensions 107 x 150cm.
Angèle Guerre, visual artist, November 2021, “Les terres troubles”, paper incised with scalpel and pastel, dimensions 107 x 150cm.
Angèle Guerre, visual artist, November 2021, “Les terres troubles”, paper incised with scalpel and pastel, dimensions 107 x 150cm.
Angèle Guerre, visual artist, October 2022 “Les terres troubles”, paper incised with a scalpel and pastel, size 107 x 150cm.
Angèle Guerre, visual artist, October 2022, “Tendre Texte”, scalpel incisions on paper, size 110 x 160cm.
Angèle Guerre, visual artist, October 2022, “Tendre Texte”, scalpel incisions on paper, size 110 x 160cm.
Angèle Guerre, visual artist, 2019 “Grandes Nues Ornées”, incised paper and gold leaf, 200cm x 150cm. Commissioned for a private client, Dubai, Visto.
Angèle Guerre, visual artist, 2019 “Grandes Nues Ornées”, incised paper and gold leaf, 200cm x 150cm. Commissioned for a private client, Dubai, Visto.
Angèle Guerre, visual artist, 2019 “Grandes Nues Ornées”, incised paper and gold leaf, 200cm x 150cm. Commissioned for a private client, Dubai, Visto.
Angèle Guerre, visual artist, December 2021, “Les Tendres textes” for the Mandarin Oriental, Luzerne, scalpel incisions on paper. 23 artworks, dimensions 80 x120cm.
Angèle Guerre, visual artist, December 2021, “Les Tendres textes” for the Mandarin Oriental, Luzerne, scalpel incisions on paper. 23 artworks, dimensions 80 x120cm.
Angèle Guerre, visual artist, December 2021, “Les Tendres textes” for the Mandarin Oriental, Luzerne, scalpel incisions on paper. 23 artworks, dimensions 80 x120cm.
Angèle Guerre, visual artist, December 2021, “Les Tendres textes” for the Mandarin Oriental, Luzerne, scalpel incisions on paper. 23 artworks, dimensions 80 x120cm.
Angèle Guerre, visual artist, December 2021, “Les Tendres textes” for the Mandarin Oriental, Luzerne, scalpel incisions on paper. 23 artworks, dimensions 80 x120cm.
Angèle Guerre, visual artist, December 2021, “Les Tendres textes” for the Mandarin Oriental, Luzerne, scalpel incisions on paper. 23 artworks, dimensions 80 x120cm.
Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. © photos Alex Jonas
Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris. The skins can be seen “above and below”, or in Chinese: “Shang Xia”. © photos Alex Jonas
Angèle Guerre, visual artist, September 2020, « La chute suspendue », installation inspired by the myth of Icarus, Shang Xia, Hermès Group, store, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. © photos Alex Jonas
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. details © Jacques Philippot
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The skins can be seen “above and below”, or in Chinese: “Shang Xia”. details © Jacques Philippot
Angèle Guerre, visual artist, September 2020, “La chute suspendue”, installation inspired by the myth of Icarus, Shang Xia boutique, Hermès Group, 8 rue de Sèvres, Paris. The fall of Icarus is suspended, becomes hatching, the wings spread out in space. details © Jacques Philippot
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, visual artist, 2018, “Nu Orné”, dimensions 34 x 74 cm. Scalpel incisions on paper and gold leaf. These scalpel-sculpted papers, made for the Parklane Hotel in Cyprus, have been enhanced with gold leaf, points of light and reliefs.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel. “Tendre Texte” instinctively recreates immemorial gestures. Cutting, slicing, stitching, these are also the gestures of a seamstress or a bookbinder : a precise work of writring. Drawing is approached like a craft where writing is invented.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel.
Angèle Guerre, artist, 2019, ” Tendre Texte “, dimensions 1m35 x 2m50. Papers incised with scalpel.
Angèle Guerre, visual artist, September 2021, “Tendre texte #9”, Art Paris – Art Fair, Grand Palais Éphémère
Angèle Guerre, visual artist, September 2021, “Tendre texte #9”, Art Paris – Art Fair, Grand Palais Éphémère // October 2021, “Tendre texte”, size 107 x 1365cm, IDlaboratorium, Greece
Angèle Guerre, visual artist, October 2021, “Tendre texte”, size 107 x 1365cm, IDlaboratorium, Greece
Angèle Guerre, visual artist, 2019, ” Grandes Mues “, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, “Grandes Mues” details, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, “Grandes Mues” details, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, ” Grandes Mues “, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, ” Grandes Mues “, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, visual artist, 2019, “Grandes Mues” details, dimensions 97 x 97 cm. Scalpel incisions on paper. Artworks made at the Hôtel de Paris, Monaco.
Angèle Guerre, artist, July 2019, “Souples, un souffle”, dimensions 5m x 3m. Installation of metal, leather and incised paper. Sculpture created in situ for the exhibition ” Y Croître ” at the CACLB, Centre d’Art Contemporain du Luxembourg belge, Mautauban, Belgium. © photo J-P. Ruelle
Angèle Guerre, artist, July 2019, “Souples, un souffle”, dimensions 5m x 3m. Installation of metal, leather and incised paper. Sculpture created in situ for the exhibition ” Y Croître ” at the CACLB, Centre d’Art Contemporain du Luxembourg belge, Mautauban, Belgium. © photo J-P. Ruelle
Angèle Guerre, visual artist, 2021, “Souples, un souffle”, studio views, dimensions variable. Installation of metal, leather, incised paper and ancient mirror.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. Installation realized within the context of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. Installation realized within the context of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Souples, un souffle”, dimensions 2m x 4m. Installation of metal, leather and incised paper. Installation realized within the context of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. View of the exhibition “Quand soudain”, Graphem Gallery. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. View of the exhibition “Quand soudain”, Graphem Gallery. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2018, “Les Mues”. Scalpel-incised paper and studs. Les Mues are mutant forms taken from the work “Tender Text”. They are almost animal skins of paper. When pinned there, they dance.
Angèle Guerre, artist, 2019, “Par ailleurs”. Prints on Plexiglas, mirror varnish, adhesive. Works created as part of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, artist, 2019, “Par ailleurs”. Prints on Plexiglas, mirror varnish, adhesive. Works created as part of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, visual artist, 2019, “Par ailleurs”, prints on plexiglass, mirror varnish and adhesive. Artworks created during the creative residency at the Chapelle des Pénitents Blancs in Vence. © Jacques Philippot
Angèle Guerre, artist, 2019, “Par ailleurs”. Prints on Plexiglas, mirror varnish, adhesive. Works created as part of the creative residency at the Chapelle des Pénitents Blancs de Vence.
Angèle Guerre, visual artist, 2019, “Par ailleurs”, prints on plexiglass, mirror varnish and adhesive. Artworks created during the creative residency at the Chapelle des Pénitents Blancs in Vence. © Jacques Philippot
Angèle Guerre, visual artist, 2019, “Par ailleurs”, prints on plexiglass, mirror varnish and adhesive. Artworks created during the creative residency at the Chapelle des Pénitents Blancs in Vence. © Jacques Philippot
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