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Mylinh Nguyen - sculptor
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Valérie Henry

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Mylinh Nguyen, sculptor, 2022, « Roses, on est bien peu de choses », synthetic clay, dimensions 45 x 40 cm. Modelling research project carried out in residence at the Villa Medici, based on the colours of the city of Rome.
Mylinh Nguyen, sculptor, 2022, « Roses, on est bien peu de choses », synthetic clay, dimensions 45 x 40 cm. Modelling research project carried out in residence at the Villa Medici, based on the colours of the city of Rome.
Mylinh Nguyen, sculptor, 2022, « Roses, on est bien peu de choses », synthetic clay, dimensions 45 x 40 cm. Modelling research project carried out in residence at the Villa Medici, based on the colours of the city of Rome.
Mylinh Nguyen, sculptor, 2022, « Roses, on est bien peu de choses », synthetic clay, dimensions 45 x 40 cm. Modelling research project carried out in residence at the Villa Medici, based on the colours of the city of Rome.
Mylinh Nguyen, sculptor, 2022, « Roses, on est bien peu de choses », sculptures of bunches of roses in synthetic clay, dimensions 27 x 37 cm. Modelling research project carried out in residence at the Villa Medici, based on the colours of the city of Rome.
Mylinh Nguyen, sculptor, 2022, « Roses, on est bien peu de choses », sculptures of bunches of roses in synthetic clay, dimensions 27 x 37 cm. Modelling research project carried out in residence at the Villa Medici, based on the colours of the city of Rome.
Mylinh Nguyen, sculptor, 2025, « Pli jaune », synthetic clay, dimensions 40 x 37 cm. The Plis project explores the connection between paper folds and the movement of matter.
Mylinh Nguyen, sculptor, 2025, « Pli pourpre », synthetic clay, dimensions 40 x 37 cm. The Plis project explores the connection between paper folds and the movement of matter.
Mylinh Nguyen, sculptor, 2025, « Pli noir », synthetic clay, dimensions 40 x 37 cm. The Plis project explores the connection between paper folds and the movement of matter.
Mylinh Nguyen, sculptor, gestures.
Mylinh Nguyen, sculptor, 2024, « Oursins-mochis », synthetic clay, dimensions 37 x 21 cm. The Oursins collection, hand-modelled spike by spike, gives rise to a series of sculptures, paintings and culinary installations.
Mylinh Nguyen, sculptor, 2020, « Oursins blancs », synthetic clay, dimensions 40 x 50 cm. The Oursins collection, hand-modelled spike by spike, gives rise to a series of sculptures, paintings and culinary installations.
Mylinh Nguyen, sculptor, 2024, « Oursins clairs », synthetic clay, dimensions 45 x 42 cm. The Oursins collection, hand-modelled spike by spike, gives rise to a series of sculptures, paintings and culinary installations.
Mylinh Nguyen, sculptor, 2021, « Oursins laiton », synthetic clay and turned brass, dimensions 52 x 42 cm. The Oursins collection, hand-modelled spike by spike, gives rise to a series of sculptures, paintings and culinary installations.
Mylinh Nguyen, sculptor, 2020, « Oursins balises », synthetic clay, dimensions 90 x 80 cm. The Oursins collection, hand-modelled spike by spike, gives rise to a series of sculptures, paintings and culinary installations.
Mylinh Nguyen, sculptor, 2024, « Oursins verts », synthetic clay, dimensions 45 x 42 cm. The Oursins collection, hand-modelled spike by spike, gives rise to a series of sculptures, paintings and culinary installations.
Mylinh Nguyen, sculptor, 2022, « Courant Hada iro », synthetic clay, dimensions 39 x 22 cm. Inspired by a memory of a Finistère beach in winter, the Courants Contraires series creates a movement that suggests contradictory forces that can sometimes come together towards a common destination, like white water currents.
Mylinh Nguyen, sculptor, 2022, « Courant Hada iro », synthetic clay, dimensions 39 x 22 cm. Inspired by a memory of a Finistère beach in winter, the Courants Contraires series creates a movement that suggests contradictory forces that can sometimes come together towards a common destination, like white water currents.
Mylinh Nguyen, sculptor, 2022, « Courant brûlé », synthetic clay, dimensions 39 x 22 cm. Inspired by a memory of a Finistère beach in winter, the Courants Contraires series creates a movement that suggests contradictory forces that can sometimes come together towards a common destination, like white water currents.
Mylinh Nguyen, sculptor, 2025, « Fleurir », synthetic clay, dimensions 45 x 40 cm. The Fleurir project tells the story of movement as a potential, an impulse within which something unexpected ultimately occurs.
Mylinh Nguyen, sculptor, 2025, « Fleurir », synthetic clay, dimensions 45 x 40 cm. The Fleurir project tells the story of movement as a potential, an impulse within which something unexpected ultimately occurs.
Mylinh Nguyen, sculptor, 2025, « Fleurir II », synthetic clay, dimensions 45 x 40 cm. The Fleurir project tells the story of movement as a potential, an impulse within which something unexpected ultimately occurs.
Mylinh Nguyen, sculptor, 2025, « Fleurir II », synthetic clay, dimensions 45 x 40 cm. The Fleurir project tells the story of movement as a potential, an impulse within which something unexpected ultimately occurs.
Mylinh Nguyen, sculptor, 2025, « Fleurir II », synthetic clay, dimensions 45 x 40 cm. The Fleurir project tells the story of movement as a potential, an impulse within which something unexpected ultimately occurs.
Mylinh Nguyen, sculptor, gestures.
Mylinh Nguyen, sculptor, 2023, « Radis rouges », synthetic clay, dimensions 37 x 35 cm. Supported by the Institut Français du Kansai, the Goûter avec les yeux project creates links between modelling and Japanese pastry-making, sculpture and tasting.
Mylinh Nguyen, sculptor, 2023, « Radis clairs », synthetic clay, dimensions 37 x 35 cm. Supported by the Institut Français du Kansai, the Goûter avec les yeux project creates links between modelling and Japanese pastry-making, sculpture and tasting.
Mylinh Nguyen, sculptor, 2022-2025, « Fleurs », synthetic clay, dimensions 15 to 25 cm high.
Mylinh Nguyen, sculptor, 2022-2025, « Fleurs », synthetic clay, dimensions 15 to 25 cm high.
Mylinh Nguyen, sculptor, 2022-2025, « Fleurs », synthetic clay, dimensions 15 to 25 cm high.
Mylinh Nguyen, sculptor, gestures.
Mylinh Nguyen, sculptor, 2023, « Herbes folles », synthetic clay, dimensions 41 x 35 cm. The Fin d’été project illustrates this moment of balance between two seasons, the transition to more subtle shades, the flavours of the coming autumn.
Mylinh Nguyen, sculptor, 2023, « Fin d’été », synthetic clay, dimensions 90 x 80 cm. The Fin d’été project illustrates this moment of balance between two seasons, the transition to more subtle shades, the flavours of the coming autumn.
Mylinh Nguyen, sculptor, 2023, « Graines II », synthetic clay, dimensions 39 x 32 cm & 2024, « Radis botte » synthetic clay, dimensions 41 x 35 cm. The Fin d’été project illustrates this moment of balance between two seasons, the transition to more subtle shades, the flavours of the coming autumn.
Mylinh Nguyen, sculptor, 2023, « Graines II », synthetic clay, dimensions 39 x 32 cm. The Fin d’été project illustrates this moment of balance between two seasons, the transition to more subtle shades, the flavours of the coming autumn.
Mylinh Nguyen, sculptor, 2023, « Mûres », synthetic clay, dimensions 38 x 35 cm. Supported by the Institut Français du Kansai, the Goûter avec les yeux project creates links between modelling and Japanese pastry-making, sculpture and tasting.
Mylinh Nguyen, sculptor, 2021, « Courants contraires », synthetic clay, dimensions 90 x 80 cm. Inspired by a memory of a Finistère beach in winter, the Courants Contraires series creates a movement that suggests contradictory forces that can sometimes come together towards a common destination, like white water currents.
Mylinh Nguyen, sculptor, 2022, « Automne jaune », synthetic clay, dimensions 40 x 37 cm. The series Aux saisons imagines curiously alive materials, at the crossroads between the vegetal and animal worlds.
Mylinh Nguyen, sculptor, 2023, « Saison Nuit », synthetic clay, dimensions 40 x 37 cm. The series Aux saisons imagines curiously alive materials, at the crossroads between the vegetal and animal worlds.
Mylinh Nguyen, sculptor, 2022, « Réparer II », synthetic clay, dimensions 52 x 50 cm. The Réparer project was conceived during the artist’s residency at the Villa Medici. It celebrates accidents, breakages and the passage of time, drawing inspiration from the characteristics of Rome’s walls.
Mylinh Nguyen, sculptor, 2022, « Réparer III », synthetic clay, dimensions 52 x 50 cm. The Réparer project was conceived during the artist’s residency at the Villa Medici. It celebrates accidents, breakages and the passage of time, drawing inspiration from the characteristics of Rome’s walls.
Mylinh Nguyen, sculptor, 2022, « Réparer », synthetic clay, dimensions 21 x 35 cm. The Réparer project was conceived during the artist’s residency at the Villa Medici. It celebrates accidents, breakages and the passage of time, drawing inspiration from the characteristics of Rome’s walls.

 

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