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Soline d’Aboville - scenographer
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Valérie Henry

vh@valeriehenry.com

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Soline d’Aboville, scenographer, January 2023, work in progress suspended installation, Centre National du Costume et de la Scène, Moulins. In view of the opening of the exhibition of Stage Professions, the artwork set up in the entrance of the new wing of the Moulins museum highlights the tools of the many talents involved in the creation of a set, from the set designer to the painter, from the upholsterer to the machinist, from the sculptor to the carpenter…
Soline d’Aboville, scenographer, January 2023, work in progress suspended installation, Centre National du Costume et de la Scène, Moulins. In this way, squares, hammers, carabiners, brushes, spatulas, pliers and scissors have been reinterpreted in paper and suspended in such a way as to project the four letters of the Centre National du Costume et de la Scène on the ground, in the form of a chase.
Soline d’Aboville, scenographer, January 2023, work in progress suspended installation, Centre National du Costume et de la Scène, Moulins. Created in white and red cut paper, the installation can be read in both directions, in white and then in red, a further way of highlighting the shadow professions.
Soline d’Aboville, scenographer, December 2022, Christmas 22 window display, Relais & Châteaux by Velvet Agency, Paris. For the launch of the Relais & Châteaux Christmas campaign “Unwrap the Holiday Magic”, Velvet Agency asked Soline d’Aboville to interpret the film in a window display.
Soline d’Aboville, scenographer, December 2022, Christmas 22 window display, Relais & Châteaux by Velvet Agency, Paris.
Soline d’Aboville, scenographer, December 2022, Christmas 22 window display, Relais & Châteaux by Velvet Agency, Paris.
Soline d’Aboville, scenographer, December 2022, Christmas 22 window display, Relais & Châteaux by Velvet Agency, Paris. While the film features a 3D animated paper décor, the window decorations are made of real paper of different qualities.
Soline d’Aboville, scenographer, December 2022, Christmas 22 window display, Relais & Châteaux by Velvet Agency, Paris. The unusual format and level of detail of these decorations is the challenge Soline d’Aboville and her team took on to create these immaculate dioramas, suspended as if by magic in the windows of the Parisian Relais & Châteaux boutique.
Soline d’Aboville, scenographer, December 2022, Christmas 22 window display, Relais & Châteaux by Velvet Agency, Paris. The unusual format and level of detail of these decorations is the challenge Soline d’Aboville and her team took on to create these immaculate dioramas, suspended as if by magic in the windows of the Parisian Relais & Châteaux boutique.
Soline d’Aboville, scenographer, June 2022, Spring/Summer 2022 window display, Relais & Châteaux, Paris. Change your mask! For a radiant 2022 season, Relais & Châteaux dare the colour.
Soline d’Aboville, scenographer, June 2022, Spring/Summer 2022 window display, Relais & Châteaux, Paris. Change your mask! For a radiant 2022 season, Relais & Châteaux dare the colour.
Soline d’Aboville, scenographer, June 2022, Spring/Summer 2022 window display, Relais & Châteaux, Paris. Soline d’Aboville proposes to the famous Maison d’art de vivre, giant masks inspired by the destinations of the association’s network which are presented before a generous jungle background.
Soline d’Aboville, scenographer, June 2022, Spring/Summer 2022 window display, Relais & Châteaux, Paris. Soline d’Aboville proposes to the famous Maison d’art de vivre, giant masks inspired by the destinations of the association’s network which are presented before a generous jungle background.
Soline d’Aboville, scenographer, June 2022, Spring/Summer 2022 window display, Relais & Châteaux, Paris. Soline d’Aboville proposes to the famous Maison d’art de vivre, giant masks inspired by the destinations of the association’s network which are presented before a generous jungle background.
Soline d’Aboville, scenographer, June 2022, Spring/Summer 2022 window display, Relais & Châteaux, Paris. Created and produced in mass-coloured recyclable paper in Soline d’Aboville Manymany atelier in Paris, this summer setting is an invitation to travel.
Soline d’Aboville, scenographer, October 2021, scenography of the Kevin Lucbert exhibition, Espace Richonne Cognac, Maison Hennessy. Hennessy has asked Soline d’Aboville to design the set for the 4th edition of the Master Blender’s Selection. Hennessy has chosen to collaborate with the artist Kevin Lucbert, known for creating dreamlike worlds with a pen.
Soline d’Aboville, scenographer, October 2021, scenography of the Kevin Lucbert exhibition, Espace Richonne Cognac, Maison Hennessy. Hennessy has asked Soline d’Aboville to design the set for the 4th edition of the Master Blender’s Selection. Hennessy has chosen to collaborate with the artist Kevin Lucbert, known for creating dreamlike worlds with a pen.
Soline d’Aboville, scenographer, October 2021, scenography of the exhibition Kevin Lucbert, Espace Richonne Cognac, Maison Hennessy. The moon dominates the whole. The artworks are replicated in giant size on the walls, allowing a real immersion in the blue and white universe of the artist.
Soline d’Aboville, scenographer, October 2021, scenography of the exhibition Kevin Lucbert, Espace Richonne Cognac, Maison Hennessy. The moon dominates the whole. The artworks are replicated in giant size on the walls, allowing a real immersion in the blue and white universe of the artist.
Soline d’Aboville, scenographer, October 2021, scenography of the exhibition Kevin Lucbert, Espace Richonne Cognac, Maison Hennessy. It is this universe that the visitor will discover progressively before finally discovering the original works of the artist in the cabin, interpreted for the occasion in 3 dimensions. It is placed behind a reflective surface suggesting water and among trees inspired by the work of Kevin Lucbert.
Soline d’Aboville, scenographer, October 2021, scenography for the Kevin Lucbert exhibition, Espace Richonne Cognac, Maison Hennessy. For Hennessy, Kevin Lucbert imagines a fantastic universe populated by boars and stars in which a lake reflects the master blender’s cabin in the middle of a graphic and prolific forest.
Soline d’Aboville, scenographer, June 2021, Paradis Summer 21 windows, Maison Hennessy, Hôtel Lutetia, Paris. To celebrate spring and the reopening of the restaurants, Hennessy offers visitors a display of Paradis cognac in one of the interior windows of the Lutétia hotel in Paris.
Soline d’Aboville, scenographer, June 2021, Paradis Summer 21 windows, Maison Hennessy, Hôtel Lutetia, Paris. Soline d’Aboville transcribes the universe of Paradis in a light-hearted setting that invites you to dream and to escape inside.
Soline d’Aboville, scenographer, June 2021, Paradis Summer 21 windows, Maison Hennessy, Hôtel Lutetia, Paris. Conceived as a sort of painting and inspired by the rounded yet tense lines of the iconic bottle, the display is made up of a series of blades presented in weightlessness in front of a white and gold stucco creation by Anne Lopez.
Soline d’Aboville, scenographer, January 2020, Chinese New Year, Cartier windows, Champs Elysées flagship. For the 2020 Chinese New Year celebrations, Soline d’Aboville draws the windows display for the House Cartier by directly inspiring from the Chinese lanterns. These revisited lanterns become a strong graphic item that adorn the frontages.
Soline d’Aboville, scenographer, January 2020, Chinese New Year, Cartier windows, Champs Elysées flagship. For the 2020 Chinese New Year celebrations, Soline d’Aboville draws the windows display for the House Cartier by directly inspiring from the Chinese lanterns. These revisited lanterns become a strong graphic item that adorn the frontages.
Soline d’Aboville, scenographer, January 2020, Chinese New Year, Cartier showcase, developed on the entire Cartier store network.
Soline d’Aboville, scenographer, January 2020, Chinese New Year, Cartier windows, Milano.
Soline d’Aboville, scenographer, January 2020, Chinese New Year, Cartier windows, Milano.
Soline d’Aboville, scenographer, January 2020, Chinese New Year, Cartier counter, Milano.
2017- Those window decors bring you up to the market : silos become spices, accessoires grow as plants, shows are cooked as chicken and belts slip into a travelling cabinet of curiosities.
2017- To celebrate September, Soline d’Aboville create a colorful and joyful decor where collections, once again are twisted. Photos © Hermès Suisse
Summer 2017- Hermès.
Summer 2017- Hermès.
Summer 2017 – The function of objects are twisted and the collection become the protagonists of this scenery.
Summer 2017 – Soline d’Aboville designed the swiss Summer 2017 windows for Hermès. Soline d’Aboville designed the swiss Summer 2017 windows for Hermès.
2018. Soline d’Aboville realised the scenography of the exhibition “Make invisible visible”, Vhils exhibition for Hennessy in Cognac, settled in the ‘Plateau’, at the first floor of the Hennessy House near the Charente River.
Soline d’Aboville realised the scenography of the exhibition “Make invisible visible”, Vhils exhibition for Hennessy in Cognac.
2018. We enter the exhibition by a gate of Soline D’Aboville, made with 17 layers of paper following Vhils’s work on posters.
2018. Then, 13 original artworks of Vhils are displayed in a space where his Portugese studio’s atmosphere has been recaptured. Vhils’ labels for the Special Edition on the 2018 V.S. Cognac bottle are presented in a historical timeline.
2018. Thirteen original works by Vhils are to be discovered at the Hennessy exhibition in Cognac. The exhibition is entered through a gate made up of 17 layers of paper, a nod to Vhils’ work on posters.
2018. Soline d’Aboville’s staging for the exhibition in the Hennessy space in Cognac highlights Vhils’ creations, and in particular the labels of V.S. cognac.
Soline d’Aboville, scenographer, October 2020, scenography, Maison Hennessy. To celebrate the 150th anniversary of Hennessy XO cognac, the House of Hennessy asked Soline d’Aboville for the scenography of the event in the historic cradle of the House in Cognac through a two-part experience: a retrospective allowing 150 years of history to be relived through the presentation of historical pieces, and a tasting experience.
Soline d’Aboville, scenographer, October 2020, scenography, Maison Hennessy. To celebrate the 150th anniversary of Hennessy XO cognac, the House of Hennessy asked Soline d’Aboville for the scenography of the event in the historic cradle of the House in Cognac through a two-part experience: a retrospective allowing 150 years of history to be relived through the presentation of historical pieces, and a tasting experience.
Soline d’Aboville, scenographer, October 2020, scenography, Maison Hennessy. At the…X.O…rigines: in this first space, a themed tour is proposed to discover the origins of this cognac. From the birth of the X.O. category to recent artistic reinterpretations, including the creation of the decanter, visitors can discover original pieces from the archives and collection of the House in order to understand the major stages that have marked the last 150 years.
Soline d’Aboville, scenographer, October 2020, scenography, Maison Hennessy. Simple and elegant, the entire scenography of the place, designed by Soline d’Aboville, is inspired by the 1940s, a pivotal period in the history of Hennessy X.O.
Soline d’Aboville, scenographer, October 2020, scenography, Maison Hennessy. Simple and elegant, the entire scenography of the site designed by Soline d’Aboville was inspired by the 1940s, a pivotal period in the history of Hennessy X.O. It is based on a strong signage principle: the walls are covered with scarified paper. The cut-outs create a link between the two spaces and highlight the elements of content.
Soline d’Aboville, scenographer, October 2020, scenography, Maison Hennessy. The Hennessy XO Club offers a unique XO tasting in a space inspired by the 1940s: it was in 1947 that Gérald de Geoffre designed the iconic Hennessy X.O. bottle.
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. On our way home from school, we began to play on an enormous railway which whisked us away all over the World…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. On our way home from school, we began to play on an enormous railway which whisked us away all over the World…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. On our way home from school, we began to play on an enormous railway which whisked us away all over the World…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. This Jacques Prévert’s poetry sets the tone of the first 2019 Swiss Hermès window decors….
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. This Jacques Prévert’s poetry sets the tone of the first 2019 Swiss Hermès window decors….
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. This Jacques Prévert’s poetry sets the tone of the first 2019 Swiss Hermès window decors….
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. A railway guides one through magic worlds where hot-air balloon are trees, barques are runner beans, where planets are made out of ice-cream or coco-nuts. Each decor shows colorfull and eye-catching mini-worlds telling harebrained tales…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. A railway guides one through magic worlds where hot-air balloon are trees, barques are runner beans, where planets are made out of ice-cream or coco-nuts. Each decor shows colorfull and eye-catching mini-worlds telling harebrained tales…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. A railway guides one through magic worlds where hot-air balloon are trees, barques are runner beans, where planets are made out of ice-cream or coco-nuts. Each decor shows colorfull and eye-catching mini-worlds telling harebrained tales…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. A railway guides one through magic worlds where hot-air balloon are trees, barques are runner beans, where planets are made out of ice-cream or coco-nuts. Each decor shows colorfull and eye-catching mini-worlds telling harebrained tales…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. A railway guides one through magic worlds where hot-air balloon are trees, barques are runner beans, where planets are made out of ice-cream or coco-nuts. Each decor shows colorfull and eye-catching mini-worlds telling harebrained tales…
Soline d’Aboville, scenographer, January 2019, On hour way home from school, Hermès store, Genève. A railway guides one through magic worlds where hot-air balloon are trees, barques are runner beans, where planets are made out of ice-cream or coco-nuts. Each decor shows colorfull and eye-catching mini-worlds telling harebrained tales…
Soline d’Aboville, scenographer, april 2019, Creating Delicious Journey, Relais & Châteaux store, Paris.
Soline d’Aboville, scenographer, april 2019, Creating Delicious Journey, Relais & Châteaux store, Paris. The first five worlds described in Creating Delicious Journey campaign of Relais & Châteaux are reminded in a window suspended decor : fives destinations are expressed in miniature on five levitating planets at the door of Avenue de l’Opéra store in Paris.
Soline d’Aboville, scenographer, april 2019, Creating Delicious Journey, Relais & Châteaux store, Paris. Each planet tells the story of a place in R&C network and suggests the magic that occurs in the eyes of the guests, creating the occasion of an unforgettable experience, of a «delicious journey».
2016 – RELAIS & CHÂTEAUX – Window decor for the opening of the Relais & Châteaux boutique in Paris.
2016 – RELAIS & CHÂTEAUX – Window decor for the opening of the Relais & Châteaux boutique in Paris.
Autumn 2017 – Relais & Châteaux’s – Autumn windows.
Winter 2017 – Relais & Châteaux’s – Christmas’ windows.
Autumn 2017 – Relais & Châteaux’s – Autumn windows. Soline d’Aboville used maps from the National Geographic Institute to fold playful animal and vegetal paper forms.
Autumn 2017 – Relais & Châteaux’s – Autumn windows. These windows invite to a trip through the maps of the world. Photos©Géraldine Bruneel.
Soline d’Aboville, scenographer, June 2020, Chopard Spring-Summer 2020 window animations. Soline d’Aboville pursues its collaboration with the House of Chopard and dresses up with flowers for the summer of 2020, the brand’s iconic C.
Soline d’Aboville, scenographer, June 2020, Chopard Spring-Summer 2020 window animations. Soline d’Aboville pursues its collaboration with the House of Chopard and dresses up with flowers for the summer of 2020, the brand’s iconic C.
Soline d’Aboville, scenographer, June 2020, Chopard Spring-Summer 2020 window animations. Soline d’Aboville pursues its collaboration with the House of Chopard and dresses up with flowers for the summer of 2020, the brand’s iconic C.
Soline d’Aboville, scenographer, December 2019, Christmas 2019 windows, Chopard. Allegory of the House Chopard, Arty is a little bear who lives incredible adventures in a pretty cartoon developed to celebrate the end of the year 2019.
Soline d’Aboville, scenographer, December 2019, Christmas 2019 windows, Chopard. The little sculpted bear invites the passer-by to visit this marvellous universe.
Soline d’Aboville, scenographer, December 2019, Christmas 2019 windows, Chopard. The Christmas window decorations developed by Soline d’Aboville are directly inspired by the tale: three giant sculpted books are opened and suggest Arty’s adventures written in the book as three chapters of the story.
Soline d’Aboville, scenographer, December 2020, Set Design, Orange Christmas 2020 Campaign, Publicis Conseil agency. What if we made memories together? For Christmas, a grandfather receives a beautiful brand new smartphone he doesn’t really know what he’s going to do with it. This is the pitch of the Orange advertising campaign for Christmas 2020: for the realization of the printed part of this campaign, Soline d’Aboville creates and manufactures ten decorations 100% handmade, 100% recycled and recyclable, 100% fun! photo © Vincent Bousserez
Soline d’Aboville, scenographer, December 2020, Set Design, Orange Christmas 2020 Campaign, Publicis Conseil agency. What if we made memories together? For Christmas, a grandfather receives a beautiful brand new smartphone he doesn’t really know what he’s going to do with it. This is the pitch of the Orange advertising campaign for Christmas 2020: for the realization of the printed part of this campaign, Soline d’Aboville creates and manufactures ten decorations 100% handmade, 100% recycled and recyclable, 100% fun! photo © Vincent Bousserez
Soline d’Aboville, scenographer, December 2020, Set Design, Orange Christmas 2020 Campaign, Publicis Conseil agency. Receiving pictures on this new phone, but not knowing how to answer them, he starts tinkering with photo filters: unlike his granddaughter, he makes them himself! Decorations 100% recycled and recyclable. photo © Vincent Bousserez
Soline d’Aboville, scenographer, December 2020, Set Design, Orange Christmas 2020 Campaign, Publicis Conseil agency. Receiving pictures on this new phone, but not knowing how to answer them, he starts tinkering with photo filters: unlike his granddaughter, he makes them himself! Decorations 100% recycled and recyclable. photo © Vincent Bousserez
Soline d’Aboville, scenographer, December 2020, Set Design, Orange Christmas 2020 Campaign, Publicis Conseil agency. 100% recycled and recyclable decors. photo © Vincent Bousserez
Soline d’Aboville, scenographer, December 2020, Set Design, Orange Christmas 2020 Campaign, Publicis Conseil agency. Corrugated cardboard and colored paper, glitter and rhinestones, bits of string and scotch, all this “waste” reused to create a little poetry around Orange’s special year-end offers. 100% recycled and recyclable decorations. photo © Vincent Bousserez
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